• 2021 "From Reference to Knowledge Repositories: On Mimetic Aspects of Kalamkari Making," South Asian Studies, https://doi.org/10.1080/02666030.2021.1969807

• 2020 “Ruptures, Continuations, and Innovations: On Contemporary Kalamkari Making in the Coromandel and Deccan,” in Cloth that Changed the World, ed. Sarah Fee (New Haven: Yale University Press, 2020), 228-39.

• “Performing Histories: Enduring Dyes and Waterways in Artisanal Lives,” Journal of Textile Design Research and Practice, 8, no. 3 (2020): 335-57.

• 2019 “An Artisanal History of Kalam?,” Journal of Textile Design Research and Practice 7, no. 1 (2019): 25-37.

• 2017 “Many Gatherings: Cosmopolitan World of a Golconda Coverlet,” Journal18, vol. East-Southeast (October 2017)

• 2016 ‘WE’, a शब्द/ شبد , co-authored by Dr. Baishali Ghosh, ‘WE’, a शब्द/ شبد - Interstecies, Incheon Art Platform G1 Gallery, Incheon, South Korea

• 2017-18 IARTS Textiles of India Grant, Royal Ontario Museum, Toronto, Canada

• 2016 Curatorial Grant, Korean Cultural Centre, New Delhi

• 2015 Kau Shao Ching Graduate Travel Award in Art History, University of British Columbia, Vancouver

• 2013-17 University of British Columbia Four Year Fellowship

• 2011 Gold medal (Printmaking), University of Hyderabad

• 2010-11 Performance award (Printmaking), University of Hyderabad

• 2009 Gold medal, Student’s Annual Exhibition, Rabindra Bharati University, Kolkata

• 2008 Certificate of Merit in Student’s Annual Exhibition, Rabindra Bharati University

Office

Office address: #602,
Department of Humanities and Social Sciences
Indian Institute of Technology Kanpur - 208016

Office Phone: 0512-259-2036 (O)

Email: rsengupta[AT]iitk.ac.in